{"id":4700,"date":"2015-03-12T14:52:34","date_gmt":"2015-03-12T14:52:34","guid":{"rendered":"http:\/\/test.yolandadominguez.com\/bio\/"},"modified":"2026-05-30T11:24:01","modified_gmt":"2026-05-30T10:24:01","slug":"bio","status":"publish","type":"page","link":"https:\/\/yolandadominguez.com\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;0.7&#8243; reveal_delay=&#8221;0.1&#8243;][lab_heading title_tag=&#8221;H1&#8243; title=&#8221;About me&#8221;]Yolanda Dom\u00ednguez[\/lab_heading][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;1&#8243; reveal_delay=&#8221;0.3&#8243;][vc_single_image image=&#8221;5312&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243; reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;1.5&#8243; reveal_delay=&#8221;0.5&#8243;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"text-align: justify; font-size: 16px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6320\" src=\"https:\/\/yolandadominguez.com\/wp-content\/uploads\/2026\/05\/Y.png\" alt=\"\" width=\"137\" height=\"150\" \/>olanda Dom\u00ednguez is a visual artist, researcher, and communicator specializing in the <span style=\"color: #df3f2b;\"><strong>intersection of visual culture, technology, and power<\/strong><\/span>. Her work analyzes how social imaginaries, mass media, and digital environments shape contemporary power structures, with particular attention to their implications for democracy, equality, and rights in the 21st century.<\/p>\n<p style=\"text-align: justify; font-size: 16px;\">She has developed artistic intervention and cultural critique projects such as <span style=\"color: #df3f2b;\"><strong>Poses<\/strong><\/span> (2011), <span style=\"color: #df3f2b;\"><strong>Registro<\/strong><\/span> (2014), <span style=\"color: #df3f2b;\"><strong>Accesibles y accesorias<\/strong><\/span> (2015), and <span style=\"color: #df3f2b;\"><strong>Ni\u00f1os vs. Moda<\/strong><\/span> (2015), presented at international institutions and festivals such as PhotoEspa\u00f1a, Open Systems (Vienna), the Elga Wimmer Gallery (New York), and Rojo Artspace (Milan).<\/p>\n<p style=\"text-align: justify; font-size: 16px;\">She is the author of <span style=\"color: #df3f2b;\"><strong>Maldito estereotipo<\/strong><\/span> (2019) and <span style=\"color: #df3f2b;\"><strong>Las mujeres facturan<\/strong><\/span> (2024), where she delves into the relationship between visual culture, stereotypes, and inequality.<\/p>\n<p style=\"text-align: justify; font-size: 16px;\">Her work has been recognized with numerous grants and awards, including a grant from the <span style=\"color: #df3f2b;\"><strong>Ministry of Culture for the Promotion of Contemporary Spanish Art<\/strong><\/span>, the <span style=\"color: #df3f2b;\"><strong>Design Museum London Award<\/strong><\/span> for Children vs. Fashion, the <span style=\"color: #df3f2b;\"><strong>Valencian Journalists&#8217; Union Award for Freedom of Expression<\/strong><\/span>, and the <span style=\"color: #df3f2b;\"><strong>Isonomia Award<\/strong><\/span> from Jaume I University against gender violence.<\/p>\n<p style=\"text-align: justify; font-size: 16px;\">In recent years, she has expanded her research to include <span style=\"color: #df3f2b;\"><strong>digital rights and violence in technological environments<\/strong><\/span>, participating in pioneering legal proceedings in Spain and advising public institutions on equality policies and contemporary culture.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;0.7&#8243; reveal_delay=&#8221;0.1&#8243;][lab_heading title_tag=&#8221;H1&#8243; title=&#8221;About me&#8221;]Yolanda Dom\u00ednguez[\/lab_heading][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243; reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;1&#8243; reveal_delay=&#8221;0.3&#8243;][vc_single_image image=&#8221;5312&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243; reveal_effect=&#8221;fadeIn&#8221; reveal_duration=&#8221;1.5&#8243; reveal_delay=&#8221;0.5&#8243;][vc_column_text css=&#8221;&#8221;] olanda Dom\u00ednguez is a visual artist, researcher, and communicator specializing in the intersection of visual culture, technology, and power. Her work analyzes how social imaginaries, mass media, and digital environments shape contemporary power structures, with particular&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-4700","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/pages\/4700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/comments?post=4700"}],"version-history":[{"count":20,"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/pages\/4700\/revisions"}],"predecessor-version":[{"id":6325,"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/pages\/4700\/revisions\/6325"}],"wp:attachment":[{"href":"https:\/\/yolandadominguez.com\/en\/wp-json\/wp\/v2\/media?parent=4700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}